The Monstrous-Feminine: Film, Feminism, Psychoanalysis.

Down the Rabbit Hole: Challenging traditional psychoanalytical theories of Wonderland in Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking-Glass.

Medusa's head as a symbol of horror was classically worn upon her dress by the virgin goddess Athena. Freud considered that as a result, she became the unapproachable woman who repels all sexual desire by carrying (symbolically) the genitals of the mother. Protection. Freud argued further that, because displaying the genitals (male and female) can be an apotropaic act - one aimed at.

Joyce's vagina dentata: Irish Nationalism and the colonial.

THE MONSTROUS-FEMININE In almost all critical writings on the horror film, woman is conceptualized only as victim. In The Monstrous- Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body. Woman as castrator constitutes the most significant face of the monstrous-feminine in film, and Creed.The term vagina dentata was coined by Sigmund Freud and follows the myth that female genitalia are monster-like, having teeth. Creed discusses how this creates a fear that women are allegedly actively trying to castrate men. Barbara Creed frequently mentions in her work that horror movies play on this fear of the vagina dentata and even include.Several myths tell the story of passing through the vagina dentata and the dangerous entering into caves and chasms, which are the symbols of Mother Earth’s interior, the mouth of hell and the devil’s gateway (Creed uses the same expressions when she speaks about the vagina dentata’s psychological significance). The passages separate those who are unable to break away from the direct.


Whereas Freud believed that the Father was the one viewed by the child as the castrator, Barbara Creed has shown it is actually the mother. Point by point, Barbara Creed has shown that the faces of the Monstrous Feminine as seen in the horror film, are based in the actual psychology of the developing child in the early experiences of childhood and infancy.This essay argues that Mitchell Lichtenstein’s film Teeth (2007). Whereas Freud (1953) traces castration anxiety to the father who punishes a child ’s oedipal desire, Creed (1993b) revisits the vagina dentata myth to revise this account of childhood psychological development and locate the male dread of sexual difference in the figure of woman as castrator rather than castrated. For.

He is the author and founder of the multimedia review “Psicoanalisi e Scienza” (Psychoanalysis and Science), the most read Italian on line review of psychoanalysis. In 2012 he participated as a Speaker at the Scientific Festival of BergamoScienza. In 2013 he illustrated his research on the maternal-fetal interaction in the Special Session of the XI World Congress of Perinatal Medicine in.

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Marshmallow’s most intimidating trait is his cavernous mouth symbolizing a vagina dentata that is similar to the lair of Ursula in The Little Mermaid (see (Dundes and Dundes 2000)). Just as visitors to Ursula’s cave must swim through the toothed maw at its entrance, a vagina dentata that presents a threat of male castration, so those seeking to enter Elsa’s castle must face Marshmallow.

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Representations of The Body in Alien:. it is necessary to discuss some of the psychoanalytic principles defined by Sigmund Freud.. “Its toothy, dripping mouth was hermaphroditic: while the double jaws represented the inner and outer labia of the vagina dentata, the projectile movement of the inner jaw was a phallic threat.” It is no coincidence that the Alien’s hardened exterior.

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The negative, destructive aspects appear as the devouring mouth or the vagina dentata. In more abstract symbolism, anything hollow, concave or containing pertains to the great mother. Thus, bodies of water, the earth itself, caves, dwellings, vessels of all kinds are feminine. So also is the box, the coffin and the belly of the monster which swallows up its victims. See Neumann.

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Free Women, Free Men is a collection of Camille Paglia's articles, lectures and interviews on feminism and gender from 1990 through 2016. A significant portion of the content consists of criticisms of modern feminism, for its pervasive misandry, its collective victimhood complex, its denial of biology, and its historical revisionism. She particularly focuses on campus feminism, with its.

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After Freud’s initial and misguided forays into female sexuality and the “dark continent” it constituted for him, psychoanalysis has for the most part continued to build theories of sexuality and gender around pathological formulations rather than healthy and functional development. It is indeed an occupational hazard that, psychoanalysis often begins by focusing on what goes wrong. So.

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Free Women, Free Men: Sex, Gender, Feminism Camille Paglia. From the fiery intellectual provocateur— and one of our most fearless advocates of gender equality—a brilliant, urgent essay collection that both celebrates modern feminism and challenges us to build an alliance of strong women and strong men. Ever since the release of her seminal first book, Sexual Personae, Camille Paglia has.

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Even within the text of The Uncanny itself, Freud continually comes unstuck in his analyses as taken to their conclusion each argument ends in something comic, for example in the context of the 'compulsion to repeat' Freud tries to show its association to the uncanny, only to slide once more towards the comic: “Or one may wander about in a dark, strange room, looking for the door of the.

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Posts about vagina dentata written by clarelspark. Having announced that I was thinking of writing a new blog on censorship in the arts and in the media, numerous Facebook friends sent me comments expressing their own disgust with the mass media, with the ineffective ratings system that fails to protect children from exposure to excessive violence, and with the general coarsening of our culture.

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The “vagina dentata,” a concept in folklore and psychology, posits the vagina as a toothed maw primed for castration. The concept draws on widespread fears and symbols about the female body as.

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